‘The Present’, a film by Farah Nabulsi, is about a father and daughter from a Palestinian enclave in the West Bank, trying to cross borders to bring home a new fridge as a wedding anniversary gift.
This film resonated with the Afghan children in the workshop, calling up memories of the crossing of borders that their families have experienced. But the film also provoked conversations about borders in everyday life – between people, between spaces, between people and institutions.
This collection of artwork shows spaces from the children’s lives, including an imagination of airspaces above countries and outer space that too has become a site for wrestling control. The spaces are dissected with string that slashes across the painting to convey where they have experienced a border, evoking lines from Mexican-American poet, Alberto Rios’ Border Boy:
I grew up on the border and though I left
I have brought it with me wherever I've gone.
Its line guides me, this long, winding thread of memory.
The border wasn't as big as they say.
It fit neatly behind my eyes and between my ears
It still guides me, I know, but it is not a compass.
It is not a place out there but a place in here.
I catch on its barbed wire in both places.