The locations: Budapest

Exhibition at the art quarter budapest (aqb) 2021 © Photo: Barnabás Neogrády-Kiss    Exhibition at the art quarter budapest (aqb) 2021 Photo: Barnabás Neogrády-Kiss

Techno Worlds in Budapest

With the first exhibition opening of TECHNO WORLDS at aqb / art quater budapest on 28 August 2021 the exhibition started its global tour. TECHNO WORLDS was on display at aqb from August 28 to Ocotober 3.

  • TECHNO WORLDS, exhibition view at aqb, 2021 with Jeremy Shaw's "Morning Has Broken"(2001) in the foreground and Robert Lippok's installation "Objects and Bodies" (2020)in the background Photo: Barnabás Neogrády-Kiss

    TECHNO WORLDS, exhibition view at aqb, 2021 with Jeremy Shaw's "Morning Has Broken"(2001) in the foreground and Robert Lippok's installation "Objects and Bodies" (2020)in the background

  • TECHNO WORLDS, exhibition view at aqb 2021 with Jeremy Shaw's Video "Morning Has Broken"(2001) in the foreground Photo: Barnabás Neogrády-Kiss

    TECHNO WORLDS, exhibition view at aqb 2021 with Jeremy Shaw's Video "Morning Has Broken"(2001) in the foreground

  • TECHNO WORLDS, Ausstellungsansicht am aqb 2021 mit Vinca Petersens "Timeline of a Raver" (extract from "A Life of Subversive Joy" (2020)) auf der linke Seite und Dominique Whites "A Refusal to Be Contained, a Refusal to Die" (2021) auf der rechten Seite. Photo: Barnabás Neogrády-Kiss

    TECHNO WORLDS, exhibition view at aqb withVinca Petersen's "Timeline of a Raver" (extract from "A Life of Subversive Joy" (2020)) on the left and Dominique White's "A Refusal to Be Contained, a Refusal to Die" (2021) on the right

  • TECHNO WORLDS, Ausstellungsansicht am aqb 2021 mit Zuzanna Czebatuls "Macromolecule Exploiting some Biological Target" (2021) im Vordergrund, Maryam Jafris "Model 500" (2019) links und Mamba Negra's "MO(N)STRA – Space Occupation" (2021)rechts Photo: Barnabás Neogrády-Kiss

    TECHNO WORLDS, exhibition view with Zuzanna Czebatul's "Macromolecule Exploiting some Biological Target" (2021) in the foreground, Maryam Jafri's "Model 500" (2019) on the left and Mamba Negra's "MO(N)STRA – Space Occupation" (2021) on the right

  • Vier Arbeiten aus der Serie "All You Can Feel" (2013) von Sarah Schönfeld hängen im aqb 2021 nebeneinander. Photo: Barnabás Neogrády-Kiss

    Sarah Schönfeld, four works from the "All You Can Feel" series (2013)

  • Ausstellungsansicht am aqb mit zwei Arbeiten aus Ryoji Ikedas "Systematics"-Serie (systematics [nº2-16] und systematics [nº2-17] (beide2014)) Photo: Barnabás Neogrády-Kiss

    Ryoji Ikeda, systematics [nº2-16], 2014 and Ryoji Ikeda, systematics [nº2-17], 2014

  • Ryoji Ikeda, "systematics [nº2-16]", 2014 und Ryoji Ikeda, "systematics [nº2-17]", 2014 im aqb 2021 Photo: Barnabás Neogrády-Kiss

    Ryoji Ikeda, "systematics [nº2-16]", 2014 and Ryoji Ikeda, "systematics [nº2-17]", 2014

  • Maryam Jafri, "Model 500" (2019) im aqb 2021 Photo: Barnabás Neogrády-Kiss

    Maryam Jafri, "Model 500" (2019)

  • Henrike Naumann and Bastian Hagedorn, "The Museum of Trance" (2021), Mixed Media Installation im aqb 2021 Photo: Barnabás Neogrády-Kiss

    Henrike Naumann and Bastian Hagedorn, "The Museum of Trance" (2021), mixed media installation

  • Henrike Naumann and Bastian Hagedorn, "The Museum of Trance" (2021), Mixed Media Installation im aqb 2021, Detail Photo: Barnabás Neogrády-Kiss

    Henrike Naumann and Bastian Hagedorn, "The Museum of Trance" (2021), mixed media installation, detail

  • Robert Lippok, "Objects and Bodies" (2020) Photo: Barnabás Neogrády-Kiss

    Robert Lippok, "Objects and Bodies" (2020)

  • Dominique White, "A Refusal to Be Contained, a Refusal to Die" (2021), kaolin clay, sisal, cast iron, ropes, cauri shells, destroyed sail, ca. 2.8 x 1.8 x 1m Photo: Barnabás Neogrády-Kiss

    Dominique White, "A Refusal to Be Contained, a Refusal to Die" (2021), kaolin clay, sisal, cast iron, ropes, cauri shells, destroyed sail, ca. 2.8 x 1.8 x 1m

  • Dominique White, A Refusal to Be Contained, a Refusal to Die (2021), Kaolin clay, sisal twine, cast iron, used rope, cowrie shells, destroyed sail, ca. 2.8 x 1.8 x 1m at aqb in 2021 , detail Photo credit: Barnabás Neogrády-Kiss

    Dominique White, "A Refusal to Be Contained, a Refusal to Die" (2021), kaolin clay, sisal, cast iron, used rope, cauri shells, destroyed sail, ca. 2.8 x 1.8 x 1m, detail

  • Dominique White, "A Refusal to Be Contained, a Refusal to Die" (2021), Kaolin-Ton, Sisal, Gusseisen, Seile, Kaurimuscheln, zwestörtes Segel, ca. 2.8 x 1.8 x 1m im aqb 2021 Photo: Barnabás Neogrády-Kiss

    Dominique White, "A Refusal to Be Contained, a Refusal to Die" (2021), kaolin clay, sisal, cast iron, ropes, cauri shells, destroyed sail, ca. 2.8 x 1.8 x 1m, detail

  • Vinca Petersen, "Timeline of a Raver "(extract from "A Life of Subversive Joy", 2020), Fotos, Flyer, Tinte, 2,3 x 7 m  im aqb 2021 Photo: Barnabás Neogrády-Kiss

    Vinca Petersen, "Timeline of a Raver "(Teil von "A Life of Subversive Joy", 2020), photos, flyer, ink, 2,3 x 7 m



Exhibited artists:
Chicks On Speed / Tony Cokes / Zuzanna Czebatul / Deforrest Brown, Jr. & AbuQadim Haqq / Aleksandra Domanović / Rangoato Hlasane / Ryōji Ikeda / Maryam Jafri / Robert Lippok / Lőrinc Borsos / M+M / Mamba Negra / Henrike Naumann & Bastian Hagedorn / The Otolith Group / Carsten Nicolai / Vinca Petersen / Daniel Pflumm / Sarah Schönfeld / Jeremy Shaw / Dominique White / Tobias Zielony
 
Documentaries: Jaqueline Caux, Romuald Karmakar and Lisa Rovner

Fashion, Magazines of the 90s: Kerstin Greiner

Curator of the contribution from Sao Paolo: Camilo Rocha

Local curator: Krisztián Kukla

Supporters of the exhibition:
NKA - National Cultural Fund of Hungary, EPSON, Korean Cultural Center, Csokonai Theater, Artoid Studio, ICA-D Institute of Contemporary Ar

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