ICRC registration form issued to a Geneva camp resident. Source: Khalid Hussain
Longing and Belonging assembles narratives of 1947 partition by a section of Dhaka residents who experienced or were affected by that course of history. The project presents a collection of interviews and visual materials to trace the contours of those negotiations and attachments and to establish, in their fluid state, how a place makes subjects and subjects make a place.
Historical moments evince more about the present than the past. Rarely are they just moments or cut off from the drifts of the present. Memory is contemporary. So it is with 1947: a colonial legacy, the partition it its wake, struggles for self-determination, the dissonance of migration, dispersal, belonging murmur across generations. They are in jagged conversations with what constitutes home, sense of place, and identity, each of them acquired, destabilized, imposed and accommodated, cherished in a myriad of ways.
Longing and Belonging is another phase of Goethe-Institut’s Inherited Memoriesproject. It assembles narratives of 1947 partition by those who experienced or were affected by that course of history. More than recollections, these are openings which offer an understanding of negotiations and attachments, their deepening or dissolution, from the cleaved circumstances of partition into the present. Participants in Longing and Belonging were from Dhaka’s – particularly Mirpur and Mohammadpur – Indian émigré communities. The project presents a collection of interviews and visual materials to trace the contours of those negotiations and attachments and to establish, in their fluid state, how a place makes subjects and subjects make a place.
A family photograph shared by one of the Mirpur camp residents. Copyright: Juhi Begum and family.
The accounts presented here evoke those jagged conversations. They are more in morsels than encyclopedic, but not abbreviated: an absorptive contemplativeness suffuses their tenor. There are reflections on home, family, friends, things seen and heard, journeys, looking back, ahead, and askance. With the presentation of composite narratives and materials, the project hopes to contribute to the critical, cultural, social questions around the 1947 partition that carries into the present.
A note on term: In Bangladesh, the terms of reference are ‘Urdu speakers,’ ‘stranded Pakistanis,’ ‘Biharis,’ ‘non-Bengalis,’ – each partial, inaccurate, and often disparaging – but following the poet Ahmed Ilias, ‘Indian émigré’ which is a more precise characterization, is used here.
The stories presented here is the culmination of preparatory stages of collaboration and discussion, several rounds of conversations, informal chats, addas, and complementary material collection. At every stage of this process, the priority was to have the shapes of the narratives and stories guided by those who were telling them, those who wanted to share them, and the resulting collection was made possible by not only participation, but crucially, direction from and collaboration with them. The project team worked in concert with neighborhood residents, community members and organizations to listen and to select the stories. Specific components of the project included an inception meeting and grounding exercise to orient the team, discussions with community organizations and members, visits with neighborhood and camp residents in Mirpur and Mohammadpur, mid-project evaluation and discussion, collection of complementary materials. The final collection includes the stories, complemented by archival documents, images and documents shared by the participants, photographs from present day Mirpur and Mohammadpur. Majority of the work was completed in the period from autumn of 2019 through spring of 2020, with the remaining portion finished after COVID-19 lockdowns were eased.
Longing and Belonging is the result of team effort. It was helmed by Parsa Sanjana Sajid, writer and researcher, and Sayeed Ferdous, professor of anthropology at Jahangirnagar University. The process of listening to and conversing with those who gracefully shared their stories was facilitated by Dyuti Tasnuva Rifat, Jakaria Hossain, Mohymeen Layes, and Yeashir Arafath Borno. Sushanta Kumar Paul did field photography for the project. George Smith copyedited the stories. The project also acknowledges the invaluable support of Council of Minorities for facilitating community engagements and participants who shared their time, stories, and images. Drik Picture Library was generous with their support in helping to document collected images. Collection of a portion of archival images were made possible by access to the National Archives of Bangladesh. Illustrations by Afia Anjum Sejuti. Website development assistance from Roopokar.