Henry Salazar has been conducting a long research, which includes fieldwork, archive work, and plastic exploration, where he explores contradictions that appear in the ways modernity has intended to reach the Colombian Pacific. In particular, he has focused on squeezing out the power of breakage contained in madness constituted by the proposal for the city of Tumaco presented in the 1950s by the office of defenders of Le Corbusier's doctrine in Colombia.
