The program explores the significance and challenges of building art collections with four institutional leaders from Berlin, Canberra, Jakarta, and Tokyo.
A conversation with T.K. Sabapathy on his life-long involvement in teaching, writing histories of art and building intuitional art collections in Southeast Asia from the 1970s until the present, facilitated by Fang-Tze Hsu and Shabbir Hussain Mustafa.
Artists Ho Tzu Nyen, Stephanie Comilang, and Tita Salina discuss drones in the context of artistic practice and discover the technological advancement as a witness to statecraft, ecological collapse, and hidden labor in a panel discussion moderated by author Alex Quicho.
An artist talk with FX Harsono, Khvay Samnang, Koh Nguang How with Chairat Polmuk as discussant, in conjunction with the exhibition ERRATA, part of the long-term project Collecting Entanglements and Embodied Histories.
Professor Jesper Olsson delivers an online public lecture on Swedish artist, poet, and writer Öyvind Fahlström, specifically his video work Mao-Hope March (1966).
Dolorosa Sinaga, Lim Cheng Tju, and Tisna Sanjaya discuss the significance of Käthe Kollwitz and her artistic practice in a discussion moderated by Anna-Catharina Gebbers.
How might differences in memory reveal disparities in the lived realities of different communities? This reading group discusses readings by Takao Fusuyama and Teresia K. Teaiwa.
A conversation between Arahmaiani (Yogyakarta), Kawita Vatanajyankur (Bangkok) and Suthirat Supaparinya (Chiang Mai). This session will be moderated by Zoe Butt (Ho Chi Minh City)
Curator Grace Samboh and Nathalie Johnston of Myanmar Art Resource Center and Archive (MARCA) host a reading group to discuss The Time is Out of Joint (2016) with Khairunnisa, Mary Pansanga and Ruth Noack. The session is moderated by Enin Supriyanto.
