Project Grants

River Logone © James Notin, Here was once water, Support & Connect 2023, Goethe-Institut Nigeria

Restful Magazine © Restful Magazine

Restful Magazine reflects about how we cultivate deeper connections to ourselves, our communities, our histories and the environment. It is a space that is cognisant of the stress and strife that define our lives but chooses instead to explore, celebrate and advance our coping and healing strategies within the systems we find ourselves in. The goal is to inspire hope and a reorientation towards what keeps us alive. To achieve this goal of collective reflection, the magazine focuses on how art, literature, food, music and conversations sustain us, help us understand ourselves better, and connect us more deeply to ourselves and our environment.

The project also has a bimonthly radio show, on the Accra-based Oroko Radio, where guests share music and discuss how they are finding healing and creating meaning through their work and in their everyday lives. Restful has evolved from being a personal newsletter run by the writer and artist Immaculata Abba to becoming a digital magazine of new and emerging Nigerian voices contributing to the global conversation on wellbeing and social/spiritual connectedness.

It is a humanities-driven magazine exploring a thesis on holistic well-being as an intersection of mind-body-soul-community-environment experiences. Our target audience is people craving delightful and deeply thoughtful content to enrich their social and spiritual lives while learning new things about the world around them. It is especially meaningful to run a magazine that pays Nigerian writers and artists at a time of economic strife that’s sending signals that culture, spirituality and rest are non-essential. The hope is to use this first print publication to gather enough momentum and resources to keep us producing monthly digital issues and annual print issues.

Manifesto Seeds Image © Festac 77

FESTAC 2077 is a platform for art books and cultural experiences leading up until 2077. Through installations, workshops, and gatherings, FESTAC 2077 draws on the dynamic legacy of FESTAC 1977 to document new pan-African futures. While its thematic framing is the FESTAC of 1977, the intention of this platform is not to replicate or reflect on the original festival. Rather, we hope that by referencing this significant period of Black diasporic history and creative ferment, we might develop new, expansive strategies for cultural exchange in the present day.

Through writing and repetition, we continue to imagine, ideate, and enact the story of FESTAC 2077. The platform, a partnership between iranti press and A Whitespace Creative Agency (AWCA), activates cultural experiences dedicated to cultural production, community engagement, literacy, capacity building, and creating dynamic, accessible, and innovative art books.

FESTAC 2077 began in 2023 with an experiential writing workshop in Lagos that asked how we begin to write the story of FESTAC 2077. Over a week, writers, artists, and cultural practitioners participated in a workshop about writing in and within public space. FESTAC 2077 continues this year with a one-month experimental publishing workshop inviting the eight participants from the 2023 workshop to come together and continue building on the speculative brainstorming from 2023. Of particular focus during this workshop are experimental and interactive publishing acts, writing that can be experienced in a public form while challenging traditional publishing forms, spaces, and material, in the mapping and ideation of FESTAC 2077. Participants will create publishing acts based on the speculative creative production from the May 2023 workshop.

Instagram: @festac2077 @iranti_press

Everything Lasts And Nothing Ends © Everything Lasts And Nothing Ends

Everything Lasts And Nothing Ends “What happens when an unstoppable force meets an immovable one?” In Everything Lasts and Nothing Ends, the protagonists are confronted with this conundrum. Within a week, the spirit of Lagos brings these two women together, and takes them on a thrilling journey across its landmarks and hidden gems, with an overshadowing promise to pull them apart. Is it a risk worth taking, and will they relinquish control and let serendipity find them in another lifetime?
Everything Lasts and Nothing Ends is a narrative film centred around two queer Nigerian women and Lagos City, as both a physical space and spiritual entity of chaos and wonder. It is fundamentally a love letter to Lagos as a city and all that its spirit represents, as the two women create language out of action since the language for what they are and what they can be is scarce in a socio-political climate like Nigeria.

We hope to reflect the vibrant, bustling, colourful cacophony of sights and sounds that the space contains through the rarely explored lens of Nigerian women, and present a novel depiction of the day-to-day lives of middle-class Nigerian youths. As a result, the driving forces and realities of mass exodus (“japa”) from Nigeria to countries such as Germany, Canada, and the United Kingdomis an important element of the film. This project highlights and exemplifies the experiences and realities that make Lagos unique, depicting the city through a magical realist lens.;
Cinema plays a powerful role in shaping public perception and appreciation of spaces and identity, and we hope to contribute towards the shaping of an alternative narrative of Nigeria.

Where is Tropical Modernism? A memory archiving project © Omi Collective

Where is Tropical Modernism?, A memory archiving project, is a research project by Omi collective documenting and investigating the stories of tropical modernist buildings, especially but not limited to the collaborations across architecture and art at the time, and also underrepresented African voices lost in history. This is pertinent because of the dire state of these buildings dotted across Nigerian cities, with many facing demolition threats. Furthermore, their omission in the architectural education curriculum makes a compelling case for preservation.
Currently, this architecture is being revisited by the global north looking to learn from its climate-conscious responses, which were an epitome of sustainable building practices for its time. The project develops on the scientific learnings which have historically taken center stage to center and highlight the latent role of art and collaborations with local Nigerian artists and makers in contextualizing the foreign principles of modernism and its resultant architecture.
The most common forms of arts being lost, which gained the patronage of the regional modernist architects and their buildings (1950s-1980s), are frescoes, sculptures, and mosaics. In most cases, they were installed by renowned modernist artists like Ben Enwonwu, Jimoh Buraimoh, Erhabor Emokpae, Felix Idubor, Yusuf Grillo, Bruce Onabrakpeya, Susan Wenger, Paul Mount, and others.
The project attempts a shift from traditional methods of conservation and preservation, which are immensely valuable but met with extreme opposition due to unwilling governmental action in Nigeria. By adopting technology as a tool to conserve and preserve the memory of these now-abandoned tropical modernist buildings, it might be transferable beyond the physical medium for generations. Culturally, by shining a light on the artist collaborations at the time, the project unearths new narratives about the Bauhaus-influenced modernist style and regional answers which the architecture proffered that are specific and local to Nigeria.
Using research, photography, virtual reality, and augmented reality as its primary tools, the project aims to contribute to cultural sustainability, heritage preservation, and documentation in Africa through collaboration across photographers, researchers, and creative technologists.

Awardees

Egbiameje Omole is a queer multidisciplinary performance artist, community organizer, editor, publisher and poet

https://linktr.ee/egbiamejeomole

Immaculata Abba is a researcher, writer, and photographer. She has a masters in Global and Imperial History from the University of Oxford and was a 2022 West African writerin-residence at the Library of Africa and the African Diaspora, Ghana

https://immaculataabba.com/

Maryam Kazeem is a writer, editor, and producer, and the founder of iranti press an experimental publishing project based in Lagos. Her work has been published in platforms including Criterion, Literary Hub, Catapult, Joyland, Apogee, and Another Gaze. She completed an MFA in Creative Writing at CalArts where she taught courses for the School of Critical Studies as a Teaching Fellow

https://maryamkazeem.com/

Omi Collective is an operative cluster located in Lagos. The cluster is focused on researching and documenting pre-independence and postindependence buildings, and by extension, the forms of arts that accompanied them

https://linktr.ee/collective.omi

Nosazemen Agbontaen is a self-taught filmmaker who is interested in exploring narratives via absurdism, experimenting with boundaries, and creating alternative worldviews through various art forms. She is the founder of the independent film production company, Nosa Machi Productions

https://www.instagram.com/nosamachi/

Tareowei Oki is a Nigerian Writer, Director and Producer whose practice centers themes of community, identity and intimacy and aims to present a softer, safer version of the world that might someday become reality

Project Grants

The Year of Fabulous

Restful Magazine

FESTAC 2077: Publishing Acts

Everything Lasts And Nothing Ends

Where is Tropical Modernism? A Memory Archiving project

Awardees

Omo Egbiameje The Year of the Fabulous

Aba Immaculata Restful Print Magazine

Kazeem Maryam FESTAC 2077: Publishing Acts

Omi Collective Where is Tropical Modernism?

Agbontaen Nosazemen Everything Lasts and Nothing Ends

Oki Tareowei Everything Lasts and Nothing Ends

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