“Starting Dreams” by ecb
At once anonymous, quotidian and enchanting in appearance – each of Beikirch’s figures has a story to tell. More than mere subjects, we find in his works genuine characters, made all the more fascinating by their anonymity. The reduced color palette and striking contrasts that characterize Beikirch’s portraiture underscore the vulnerability of his subjects, while the scale of these works invites viewers to consider the relationship between individual and society, viewer and subject, public and private.
Looming large in the post-industrial cityscape, Beikirch’s documentary works are studies in humanity. Responding to cultural shifts in the perception of beauty brought about by the ubiquitous presence of digital media, Beikirch rejects the sleek youthfulness that predominates in modern visual culture in favor of an aesthetic vision that couples painterly sensibility with the techniques of photorealism. The world-weariness, grit, and cautious optimism of his subjects imbue these works with a sense of the familiar. There is something reassuring to be found in the melancholy that radiates from these faces.
Hendrik Beikirch