Berlinale Bloggers 2017
A universal love story
![Call me by your name Call me by your name](/resources/files/jpg582/call-me_737x320-formatkey-jpg-w320m.jpg)
Luca Guadagnino’s film is the only Italian offering at the Berlinale. It is a shame that it has not been entered for an award.
Summer 1988, a nondescript small town in Northern Italy: The family of 17-year old Elio is awaiting the arrival of Oliver, an American student who will spend a few weeks with them to complete his PhD thesis. Elio’s dad is a renowned university lecturer. Despite their age difference, the two boys gradually develop a friendship, which then turns into something more.
The soundtrack of Call me by your name may have been written by singer-songwriter Sufjan Stevens and his previous two films, I Am Love and A Bigger Splash, may have starred his friend Tilda Swinton, but it is not because of this that they were distributed around the world: Guadagnino is able to begin with specifics (whether it is the context, Italy, or the theme, homosexual love between two young men) and end up with the universal: the same story could have been set anywhere and speak of the emergence of passion between two young heterosexuals. The involvement of the audience goes beyond the specific features of the story or the characters.
The film focuses on the ideas of desire and self-awareness and exposes both their limits and the occasional yearning to go beyond them in order to feel truly free. It also highlights the cyclical nature of this phenomenon, thus showing that such feelings return over time and at different ages. The final shots of the house in winter and Elio's father's speech hammer the point home, making the viewer feel, upon leaving the cinema, that they have truly lived the story that they have just seen played out on the big screen. This does not always happen, but when it does, it is great cinema.