This Month with music by:
Cava | BubackSpliff | Sony Music
Anadol & Marie Klock | Pingipung
Funny van Dannen | Trikont
Wolf Biermann | Clouds Hill
Author: Ralf Summer
Speaker (English): David Ingram
Speaker Female Voice-Overs (English): Louise Hollamby Kühr
Now we’re in control, we want the power
And when you talk, we just talk louder

Cava | © Merle Wagner
When the two women of the garage rock duo Cava were growing up in Berlin, the riot grrrl movement in the United States in the 1990s was revolutionizing the gender dynamics of rock music. The patriarchy’s grip weakened, and a feminist subculture began to establish itself in music and art scenes around the world. Guitarist and singer Peppi Ahrens and drummer Mela Schulz continue this legacy on their second album Powertrip, both in their themes and their sound. Skillfully, furiously and with an eye to the future, the two weave the retro elements of their music into a contemporary guise of brute rock and combative energy. Initially dissatisfied with their work, they returned to the studio shortly before release to remix the album – it had veered too much into pop territory for their taste. Now with a perfect balance of high-class production and untamed live energy, it's clear: this is how garage rock should still sound in 2025!

Spliff | © SMD/Sony Music Germany GmbH
The Berlin band Spliff is likely to be known by many outside Germany primarily as Nina Hagen's backing band. After fleeing the GDR in 1976 (she followed her stepfather Wolf Biermann, see below), the then 21-year-old singer had to search for a new band in West Berlin, eventually finding suitable comrades-in-arms in the political rock combo Lokomotive Kreuzberg. The group released the iconic Nina Hagen Band album in 1978, but the relationship only lasted a year: the band continued under the name Spliff and subsequently released four albums. Characterized by the extremely different influences of the band members, the consistently used (exclusively electronic) Simmons drum played by drummer Herwig Mitteregger and occasionally somewhat strange-sounding albums, the work is not consistently listenable. However, it also offered standout moments, particularly on their second album 85555 from 1982, which features notable gems of German pop music (Déja Vu, Carbonara). The tracks achieved great commercial success and are still part of the nation's pop music canon today. After this second album, on which the band seemed to have found themselves and developed their own sound, they later became entangled in increasingly bizarre experiments and finally disbanded. Their complete works have now been re-released by their record label.

Wolf Biermann
|
Bundesarchiv, Bild 183-1989-1201-046 / Waltraud Grubitzsch (geb. Raphael) / CC-BY-SA 3.0, CC BY-SA 3.0 DE
Olle Kamellen sind das nur
Es sind die alten Lieder
Am Alex an der Weltzeituhr
So trifft man sich wieder
it's the old songs
On the Alex at the world clock
That's how we meet again]
Wolf Biermann "Am Alex an der Weltzeituhr", performed by Haiyti

Anadol & Marie Klock | © Eda Arda
Certaines conditions sont rarement remplies
Anadol & Marie Klock, "Sonate au jambon"

Funny van Dannen | © Paula Janssen
Wenn der Krieg vorbei ist, wird es wieder schön.
Dann können alle ohne Angst wohin sie wollen geh’n.
Die Himmel werden wieder blau sein,
und der Lippenstift so rot.
Und die Lippen so voll und die Liebe so toll,
Nur die Toten sind immer noch so tot.
it will be nice again.
Then everyone can go wherever they want without fear.
The skies will be blue again,
and the lipstick so red.
And lips so full and love so great,
only the dead are still so dead.]
Funny van Dannen, "Wenn der Krieg vorbei ist"