Belonging

Photo by Jeffrey Hamilton at Unsplash

Issue 4
Belonging

How far has a radically open society been realized in the face of growing nationalist narratives on both sides of the Atlantic? The issue “Belonging” of Gegenüber magazine tells of life in a different homeland to one's grandparents, of cultural reproductions and mutations from one place to another, of new roots and aspects of exclusion that should not be alien to anyone, but which weigh differently. And it asks whether the concept of “native” vs. “migrant” is still valid.

Identity and belonging Who belongs?

Dr. Leonhard Emmerling

Migration policy in Germany A perceived crisis

Mark Terkessidis

Alone in a crowd – just one of the consequences of Covid-19: since the pandemic, younger and middle-aged adults have been more likely to be affected by loneliness and feel excluded.

The Invisible Consequences of the Pandemic
“Loneliness Can Affect Anyone”

According to a study, around one in three Germans between the ages of 18 and 53 feel lonely nowadays, and in some cases excluded. In our interview, the study’s author Lena Frembs explains the reasons why and proposes some possible solutions.

Lena C. Frembs

Wolfgang Mulke

Every 30 minutes, or so it seems, someone finds something intolerable or outrageous. People find pleasure in narcissistic identity talk, dismantling anything that could hold society together in favour of a cult of difference.

Dr. Leonhard Emmerling in Who belongs?

Stories of advancement
Take a seat?

Are stories of advancement in literature helpful motivators or manipulative fairy tales? Anne-Carolin Seebeck on deceptive feel-good literature.

Anne-Carolin Seebeck

Promoting a sense of belonging
Thirdspaces

It is in the interest of every society to help newcomers feel at home in their new environment. But how? The thirdspace theory could be helpful.

Michael Krell

Out of Rosenheim, dir. Percy Adlon | Still: Marianne Sägebrecht, CCH Pounder

"Belonging" in European cinema
The delocalization of the “I”

Wandering and exile are journeys without purpose, without end, often imposed by fate. André Lavoie evokes this diffuse feeling of uprootedness, from which even filmmakers are not immune.