Preview
Harun Farocki: Consider Labour

recalls an archive photo with a grainy image of a crowd of workers and a woman in the foreground who seems to be from another film
Film still from Harun Farocki's Workers Leaving the Factory (1995) | © Harun Farocki GbR

Cooper Gallery - Duncan of Jordanstone College of Art & Design

Farocki’s films and installations are generally socio-political in nature and reveal a keen interest in the role of technology in modern society. His films have dealt with such subjects as the Vietnam War, capitalism, labour systems, surveillance technology and military reconnaissance. Another recurrent theme in Farocki’s work was the investigation of images and what lies behind them, of what is really visible to the viewer and likewise what remains invisible - essentially the possibilities of seeing. As Thomas Elsaesser said: ‘Farocki’s films are a constant dialogue with images, with image making, and with the institutions that produce and circulate these images.’ His films and installations are difficult to categorize and demand close viewing. Nothing is as it seems and the viewers are challenged to keep questioning what they see.

Details

Cooper Gallery - Duncan of Jordanstone College of Art & Design

13 Perth Rd
DD1 4HT Dundee

Language: English
Price: Free


Part of series Harun Farocki: Consider Labour