How does the past take shape, and what happens in the process of coming to terms with the past? What social repercussions are associated with the rooting of history in monuments and memorials? How can those narratives be shifted or upended through alternative, innovative approaches to memorialization?
These questions were at the center of Shaping the Past, a partnership between Monument Lab, the Goethe-Institut, and the German Federal Agency for Civic Education (Bundeszentrale für politische Bildung/bpb). More on this project
Goethe-Institut Mexiko The Dispersed Memorial: COVID-19 Prototype and Memorial
The Dispersed Memorial, designed and created by Sergio Beltrán-García and Rodrigo da Silva, proposes a low-cost, modular, and self-constructed memorial that makes use of mixed-reality technologies.
Goethe-Institut Boston Sound, Space and Remembrance
Scholar and author Louis Chude-Sokei and sound artist Emeka Ogboh consider their sound practices within the context of memorialization and ask how the medium of sound can point to new ways to remember and study all narratives of the past.
Goethe-Institut Los Angeles Civic Displace
How could Indigenous voices shape L.A.’s Memory Culture? A discussion with Julia Bogany, Pamela Villaseñor and Joel Garcia.
Goethe Pop Up Kansas City Memory Culture in Film
Keith Beauchamp (Director, The Untold Story of Emmett Louis Till) joins Executive Director of the Emmett Till Interpretive Center, Patrick Weems, for a discussion about memory culture in film.
But as surely as the future becomes the past, the past becomes the future
Which questions has Shaping the Past tackled so far? Explore videos, photo galleries, and other documentation of the programs and events that have taken part so far in North America.
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Historical memory is constantly shaped and reshaped by new interpretations of the past. Explore unique perspectives, nuanced arguments, and an examination of current events by scholars, activists, and the Monument Lab Fellows.
The fellows for Shaping the Past come from Monument Lab's 2019 and 2020 fellowship cohorts and were selected from an applications pool of over 100 memory workers throughout North America and Germany with existing projects using art, activism, history, journalism, and other tools to approach monuments in their communities. Applications were reviewed by a jury representing the fields of art, history, and social engagement, who recommended applicants who demonstrated excellence, innovative processes and projects for public engagement.