2023 Boston
THE DIS/AGREEMENT PROJECT with Dana Caspersen
Interactive Discussion with Dana Caspersen and artistic collaborators, 8th of March.
DIRECT FROM THE BAYREUTHER FESTSPIELE
Director Jay Scheib and Video and AR Designer Joshua Higgason on the vision and the challenges behind the recent Parsifal premiere.
September 21, 2023
SHAKA DENDY: BLACK MERIDIAN
Studio 170│Residency
Installation with Sound and Photography
DEALING WITH DISENCHANTMENT: AESTHETIC ENLIGHTENMENT AND THE ART OF DECOLONIZATION
with Tania Bruguera, Andrea Patiño Contreras, Nikita Dhawan, and Maria do Mar Castro Varela
10/02/2023
GENDERJUSTICE AND JAZZ
with Terri Lyne Carrington, Kris Davis, Johanna Schneider, Aja Burrell Wood and students of Berklee Institute of Jazz and Gender Justice
11/05/2023
SAWT OUT / SUZUERI & BONNIE JONES
Experimental Music from Germany and New England
06/07/2023
AGF (ANTYE GREIE RIPATTI) AND LANI ASUNCIÓN
Debut of the sound artist poet and electronic music producer, Antye Greie (AGF), and the Boston-based interdisciplinary artist Lani Asunción
11/18/2023
HISTORY IS LISTENING. RE-SONIFYING NUREMBERG
with Louis Chude-Sokei, Gascia Ouzounian, Yara Mekawei and Jan St. Werner
11/02/2023
HOW TO TAX THE RICH? with Felix Rohrbeck and Evan Horowitz
Discussion of the Massachusetts Millionaires Tax and structural inequality, dated March 2.
AUTHORS IN CONVERSATION: Dmitrij Kapitelman and Askold Melnyczuk
Discussion to mark the anniversary of the tragic war in Ukraine. February 28, 2023.
Marianna Kiyanovska, Voices from Babyn Yar
Lyudmyla Khersonska, Today translated by Olga Livshin and others
Halyna Kruk, "A Crash Course in Molotov Cocktails" translated by Amelia Glaser and Yulia Ilchuk
Ilya Kaminsky, Carolyn Forche, editors, "In the Hour of War", Ukrainian poetry anthology
WHO CAN DANCE? with Alice Hasters, Kurt A. Douglas and Peter DiMuro
A panel discussion about diversity in dance, 17th of February.
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CONCERT: THOMAS ANKERSMIT AND KELLEY SHEEHAN
Celebrating the 50th Anniversary of the Serge Modular Synthesizer, 18th of February.
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