Conversation
Dealing with Disenchantment: Aesthetic Enlightenment and the Art of Decolonization
with Tania Bruguera, Andrea Patiño Contreras, Nikita Dhawan, and Maria do Mar Castro Varela
For those planning to attend in person (includes glass of wine, snacks and good company), we encourage you to RSVP here.
We will be recording the panel - give us 2 weeks and check our archives to view the video.
In times of multiple crises, it is imperative to (re)examine the mandate of art. What role should art play in the face of rising social injustices? Could critical artistic practices facilitate transnational justice and democracy, protecting and promoting human rights? Or should art remain non-purposive? Given that art functions within structures of capitalism and coloniality, the role of art and art institutions is ambivalent. Can the political labor of training the imagination mitigate unjust structures and practices?
To find answers to these pressing questions, Nikita Dhawan and Maria do Mar Castro Varela, presently fellows at the Thomas Mann House in L.A., discuss with installation and performance artist Tania Bruguera and video journalist Andrea Patiño Contreras if and how an aesthetic education can help us imagine a planetary future.
Biographies:
The installation and performance artist Tania Bruguera researches ways in which art can be applied to everyday political life, focusing on the transformation of social affect into political effectiveness. Her long-term projects have been intensive interventions on the institutional structure of collective memory, education, and politics.
Bruguera earned her MFA in performance from the School of the Art Institute of Chicago. She is the founder and director of Cátedra Arte de Conducta (Behavior Art School), the first performance studies program in Latin America. Bruguera’s work has been exhibited at documenta 11, the Guggenheim Museum, and Tate Modern and also at the Bienal Iberoamericana de Arquitectura y Urbanismo, the Gwangju Biennale, the Istanbul Biennial, and Shanghai Biennale. Her work is in the permanent collections of many institutions around the world, including the Bronx Museum of the Arts, the Museo Nacional de Bellas Artes de La Habana, and the Museum of Modern Art, in New York.
Andrea Patiño Contreras is a bilingual video journalist and editor from Bogotá, Colombia, currently based in Boston. She loves all aspects of filmmaking: from the early stages of research, to the most intricate details of post-production. Most of her work revolves around questions of migration and mobility, and the Latino community in the U.S. and across Latin America. She also has extensive experience covering gender and sexual violence. Her latest film #IamVanessaGuillen, explores the mental health impact of survivors of military sexual violence.
Contreras' work as a journalist is heavily informed by her love for cultural anthropology, which trained her to look at the world through a human-centered lens and to stay curious. Her work has been recognized by the Hillman Foundation, the National Murrow Awards, the Gracie Awards and Picture of the Year International among others.
She is also the co-founder of the visual production studio Rabbit Raccoon and an aspiring ceramics artist.
Details
Goethe-Institut Boston
170 Beacon Street
Boston MA 02116
USA
Language: English
Price: Admission free
+1 (617) 893-5498 Annette.klein@goethe.de