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Männerbilder Key Visual

Dhaka
I'm no one but I'm everywhere

A project realised by DAAGI Art Garage

The concept of “masculinity” is explained and understood very variably in different societies. Interpretations differ based e.g. on people’s own situation, experiences, and social status. In Bangladesh, there exists a multiple range of views and meanings of the term ‘masculinity’.

Hence this project aims to re-visit and re-explore the meaning of ‘masculinities’ across the gender spectrum of Bangladesh. Based on interviews and workshops with artists, this will culminate into different forms of artistic expression to be displayed in the public domain. The artworks and their performances in public spaces will re-evaluate the notions of ‘man’ and ‘masculine’.

This project is adapted from the project Mass-Q-Line, conceptualised and executed by Sumantra Mukherjee in Kolkata within the framework of the larger project ‘M3: Man, Male, Masculine’ presented and supported by Goethe-Institut India and Bangladesh.

 

  • DAAGI Art Garage © DAAGI Art Garage
  • DAAGI Art Garage © DAAGI Art Garage
  • DAAGI Art Garage © DAAGI Art Garage
  • DAAGI Art Garage © DAAGI Art Garage
  • DAAGI Art Garage © DAAGI Art Garage
  • DAAGI Art Garage © DAAGI Art Garage

Artist Sumantra Mukherjee

 

Sumantra Mukherjee is an independent freelance artist, who divides his time painting in his studio and sharing his artistic creations and expressions in community and public spaces engaging people. He also does illustrations and graphic novels for children, posters, murals and sculpture using mixed media for initiating dialogues between the arts and common people through their responses and expressions.

He chooses his subjects through emphatic involvement and understanding of the difficulties and changes locally around him, allowing the local public, not necessarily interested in artistic practice, to be involved with imageries that Sumantra creates. Thus enabling the viewers to express their own perspectives and ideas about a variety of issues relevant to their lives.

His first solo presentation ‘Cloud 9’ was installed in 2009 in Kolkata followed by other art projects, namely 'Chiriya Chug Gayi Cake’ (When the Bird Nibbles the Cake) displayed in the Society of Contemporary Artist Space, Kolkata, ‘Chalo Painting Tangai', a community art project in an abandoned port area in Kolkata. His solo international projects include, 'NORMAL', at Het Wilde Weten, Rotterdam which  was an outcome of a three month long residency in Netherland.

This project is adapted from the project Mass-Q-Line, conceptualised and executed by Sumantra Mukherjee in Kolkata within the framework of the larger project ‘M3: Man, Male, Masculine’ presented and supported by Goethe-Institut India and Bangladesh.


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